Wednesday, February 15, 2006

Moral Minority-William Kentridge


From New York Magazine
Why is the art world so drawn to William Kentridge? Because he’s the rarest of political artists: a subtle, funny one. By Mark Stevens.

Fifty working drawings and fragments used in Kentridge's creation of scenic design and animation for The Magic Flute can be seen at the Marian Goodman Gallery thru Feb 25th.

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